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This 900-Square-Foot Brooklyn Rental Feels Like a Family Album and Travel Diary in One

2026-06-12 16:12
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Designer Megan Gibbon filled her walk-up with artwork by loved ones, finds from around the world, and ceramics she shaped by hand

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This 900-Square-Foot Brooklyn Rental Feels Like a Family Album and Travel Diary in One

Designer Megan Gibbon filled her walk-up with artwork by loved ones, finds from around the world, and ceramics she shaped by hand
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In designer Megan Gibbon and Joss Craig's Brooklyn living room she balances collected antiques with contemporary design. An 1860s Japanese low table anchors the seating area, where a Pierre Paulin chair, Tobia and Afra Scarpa ottoman, and Anna Karlin floor lamp mingle with vintage textiles, a Nordic Knots rug, and ceramics by Gibbon. Above the sofa, a work by Valerie Keane introduces a cool-toned counterpoint to the room’s otherwise warm palette.

Most people moving into a 900-square-foot apartment start by figuring out what fits. Megan Gibbon began by deciding what matters.

The British-born interior designer spent five years settling into the Cobble Hill walk-up she shares with her husband Joss Craig and two young sons. What she describes as “one of those COVID gems”—a Craigslist rental the couple applied for after being captivated by the natural light—is now a peaceful antidote to city life. “Our senses are always being overstimulated,” Gibbon says. “I was trying to make a space that feels like a reprieve from all of that.”

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Throughout the apartment, Gibbon pairs iconic design with meaningful finds. Charlotte Perriand chairs surround a travertine dining table, while an 18th-century Swedish chest anchors the room. Above it, works by Michael Iveson and Marianne Spurr introduce subtle color and texture, while a Meiji-period Japanese noren curtain frames the view into the kitchen.

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Vintage Rogers Sterling Silver Bud Vase

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House of Leon Shou Sugi Ban Coffee Table

Years spent designing hospitality spaces—including Soho Farmhouse, the cult-favorite Oxfordshire retreat that served as a formative project early in her career—taught Gibbon how to shape an experience through interior design. Unlike a hotel, where the atmosphere must be established instantly, her home would reveal itself piece by piece.

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A curtain made from antique perde fabric sourced in Istanbul frames built-in bookshelves and doubles as a shade for the skylight overhead. Painted Farrow & Ball’s India Yellow, the cozy nook pairs custom millwork with ceramics from Gibbon’s own studio and a burlwood chest from Good Behavior.

The result feels less like a collection of furniture and objects and more like a record of the people and places dear to the family. A wood bookshelf made by Gibbon’s brother, an architect based in Copenhagen. A vintage Kuba cloth sourced by another brother, who lives in the Republic of Congo. Artwork painted by her mother. Lighting and furnishings created by friends, like designer Anna Karlin. Even the ceramic tiles Gibbon made for the kitchen were inspired by flowers growing in her mother’s garden in West Sussex. “We’re really lucky that our home reflects our friendships and our family,” she says.

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French doors create a visual connection between the living room and primary bedroom, reinforcing the apartment’s sense of openness despite its compact footprint. In the bedroom, a Noguchi Akari lantern and antique French column topped with one of Gibbon’s ceramic vessels create a moment of interest without disrupting the room’s sense of calm.

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Cultiver Heavyweight Linen Bedcover

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Lulu and Georgia Charlotte Velvet Pillow

That personal history sits comfortably alongside Gibbon’s lifelong love of collecting. A 19th-century Japanese table anchors the living room, while carved masks from an English antiques market watch over the space. Moroccan rugs soften the floors. In one son’s room, a monumental antique textile found in Istanbul stretches up to a skylight, serving as both artwork and a practical curtain. “I love the patina and story that comes with old pieces,” the designer says. “That previous life really helps make a space feel unique.”

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“It’s kind of fun to think about how to make something special which isn’t typically special,” Gibbon says of the rental kitchen. To that end, she designed and installed the ceramic backsplash herself, later adding custom hardware, lighting, and tabletop pieces that transformed the simple space into one of the home’s defining features. The ceiling paint is Benjamin Moore’s Roman Shade, and the curtain fabric is by Rose Tarlow.

The apartment’s most compelling pieces, however, have a different provenance—they were made by Gibbon. Rather than resign herself to the standard white IKEA cabinetry that came with the rental, Gibbon transformed the space with bespoke ceramic tiles. On the building’s rooftop during an 80-degree summer afternoon, she mounted the tiles to a removable board for a renter-friendly solution. Combined with a deep oxblood ceiling and sculptural hand-shaped cabinet pulls, the kitchen intervention rewards anyone who rounds the corner with an unexpected moment of delight.

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In the primary bedroom, a tapestry-like Field Headboard by Anna Karlin anchors a soothing palette of natural textures and collected finds. An antique Tuareg mat sourced in Morocco grounds the space, while a bespoke ceramic lamp by Gibbon sits atop a French antique pedestal table discovered through Live Auctioneers. The photograph above, Rodin’s The Hand of God, was sourced by art consultant Roxana Afshar.

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Heidi Caillier x Joon Loloi Kambia Handwoven Rug

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Ralph Lauren Home New Bohemian Bedside Table

The ceramics began as a creative outlet during the pandemic. Instead of selling them at markets, Gibbon found herself making pieces for the apartment, gradually developing a visual language of organic forms and playful silhouettes inspired by the natural world. Today, the vessels appear throughout the apartment, creating what Gibbon describes as a “living gallery.”

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The bedroom illustrates Gibbon’s tendency to blur the line between home and studio. Her own ceramic works—including a mirror frame and tabletop vessels—appear alongside artwork by Marianne Spurr and Philippa Gibbon, creating a layered composition that feels both intimate and collected over time.

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Maiden Home The Galerie Plinths

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Joon Loloi Latimer Twin Pull Table Lamp

Of course, the reality of life inside the serene apartment looks a little different from the photographs. “I do actually have two kids,” Gibbon laughs. Each evening, toys disappear into boxes, cupboards, and under-bed storage, restoring the calm she worked so carefully to create.

The effort has paid off. Despite (and perhaps even because of) the apartment’s modest footprint, her older son has no interest in moving. “He never ever wants to leave this apartment—it’s home,” she says.

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Not every room required reinvention. In the bathroom, Gibbon relied on paint, small ceramics from her studio, and a postcard depicting Barbara Hepworth’s Mother and Child to make the existing space feel more personal.

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“Whether it’s something from your travels, like textiles, or an antique, or a design piece that you found in a specific place, I think it helps create depth in a space,” Gibbon says. This vignette captures that philosophy: ceramics from her own studio, a sculptural object sourced in Morocco, and a painting by Michael Iveson layered atop an 18th-century Swedish chest.

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Gibbon began embroidering the West Elm linen curtains in her son’s room while pregnant with her first child, eventually finishing them years later after the arrival of her second child. An open metal bed preserves the room’s natural light, while a Moroccan rug—cut from a larger piece she sourced on her travels—grounds the space. A compact bookshelf by Standard Practice keeps favorite titles within easy reach. The pendant light is by Ferm Living, and the bedding is from Toast.

Source: Kristen Flanagan · www.architecturaldigest.com