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Gold Leaf and Foliage Motifs Plaster This Paris Left Bank Apartment

2026-06-13 12:00
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Everything from trompe l’oeil bamboo to Lebanese brass basins finds a home in this globe-trotting interior

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Gold Leaf and Foliage Motifs Plaster This Paris Left Bank Apartment

Everything from trompe l’oeil bamboo to Lebanese brass basins finds a home in this globe-trotting interior
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In the dining room, beneath a wrought-iron pendant light made in a London workshop, a BKT resin table by Niko Koronis. On the wall, Beyond Skin I, a 2021 tapestry by Otobong Nkanga (courtesy of In Situ Gallery.)Art: Otobong Nkanga & In Situ Gallery

Marthe Simon and Paul Peller, the work and life partners behind the firm Marthe Architecture, leaned heavily upon gold leaf, trompe l’oeil, and other warm maximalist touches when reimagining this apartment on Paris’s Left Bank. The color palette reflects an extravagance the duo had on their side—two whole years to redo the space’s layout and interior. “We had the luxury of time,” Simon says. “To both experience it through all the seasons, and to better understand its different spaces so we could tailor our design.”

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A pair of 1960s armchairs by Joaquim Tenreiro stand in front of the patinated-brass fireplace. Two bronze walnuts by Clotilde Ancarani (L’Oeil de KO Gallery) and a Spiralé vase by Jacques and Dani Ruelland (Thomas Fritsch Artrium Gallery) are perched on the metal coffee tables by Karim Chaya and Kamal Aoun of Spockdesign.

Art: Jacques and Dani Ruelland, Adagp, Paris, 2026 / Pol Chambost, Adagp, Paris, 2026
An instinctive collaboration

Simon and Peller began by combining two apartments—each about 1,100 square feet—into a single space before reconfiguring a more fluid floor plan. The property’s Napoleonic Second Empire origins compelled the duo to stick to a timeless Parisian aesthetic: expansive openings, a minimalist framework, and imposing double doors (some sliding and others on hinges). They removed any unnecessary internal partitions and created new spaces with hallways as wide as rooms.

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On the left, a Saba ceramic and a wrought-iron vase (Léa Zeroil) stand atop a bronze Comtesse pedestal table by Garouste & Bonetti ( Avant-Scène Gallery). The floral arrangement is by De Beaulieu. The Ladakh rug is made of jute and wool (CFOC).

Chambre paire lampes bronze et banc noyer massif

Standouts in the bedroom include a pair of Platon bronze lamps by Garouste & Bonetti (Avant-Scène Gallery) and a solid walnut Sepia bench (Maërl).

All that glitters

Shiny surfaces are consistent throughout the home, turning it into a formidable jewel box: A Milanese studio applied a metallic floral wallpaper to the entryway walls, for example, while patinated bronze-and-gold leaf covers those in the living room (but the wicker-patterned brass fireplace is the latter room’s lustrous standout). A quilt-like custom wallpaper wraps the dining room in a maximalist pattern: Defined by three bands of friezes and a trompe l’oeil bamboo trellis, the wall covering was inspired by the late artist Gabriella Crespi’s rattan-forward home. In the primary bathroom, Italian art students hand-painted the mirrors with similarly metallic hues, which complement the brass basins hammered by a Lebanese artist.

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A freestanding bronze Mars mirror by Franck Evennou (Avant-Scène Gallery) and a bronze Fleurs ashtray by Garouste & Bonetti (Avant-Scène Gallery) are perched on the edge of the bathtub.

Art: Franck Evennou, Adagp, Paris, 2026
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The mirrors in the bathroom were painted by Italian students. The wall sconce is by Sophie Lou Jacobsen.

“The materials were chosen to suit each room,” Peller explains. He and Simon were strict about overhead lighting in their design—they deliberately placed light sources at low heights to create an intimate atmosphere. The overheads that did make the cut were sculptural: A black wrought-iron pendant light crafted in a London workshop resembles a stylized tree branch, echoing the floral motifs that adorn the walls and mirrors throughout the home. And in the kitchen, a Chinese pendant light matches the gold leaf, red Iranian travertine, and antique-finished terra-cotta tiles. When turned on, all the apartment’s textures—lacquer, wood grain, tortoiseshell, and an all-over patina—come to life with a gilded sheen.

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The metal coffee tables in the living room are by Spockdesign, and the floor lamp is by Jacques Adnet (Galerie Desprez Breheret). The hemp-and-wool rug is from the Carpet Society, and the sofa is from Mario Bellini.

Art: Jacques Adnet, Adagp, Paris, 2026
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The kitchen countertop is decorated by a bronze candlestick by Hubert Le Gall (Avant-Scène Gallery) and a wooden bowl by Kasia Kmita (L’Oeil de KO Gallery).

Art: Hubert le Gall/© 2026 Artists Rights Society (ARS), New York / ADAGP, Paris
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The hallway. Pictured on the left is Returning the Gaze, a brass mask by Ali Cherri made in 2024.

Art: Ali Cherri/Imane Farès Galerie
Les architectes dintrieur Marthe Simon et Paul Peller le duo de Marthe Architecture.

Marthe Simon and Paul Peller

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The table is by Stéphane Parmentier, the stool is from Pinto Paris, the vase is from Volume Ceramics.

This was originally published in AD France.

Source: Nicolas Milon · www.architecturaldigest.com